{"version":"1.0","provider_name":"Recherches de Science Religieuse","provider_url":"https:\/\/dev.centtreize.com\/rsr","author_name":"revue@dmin","author_url":"https:\/\/dev.centtreize.com\/rsr\/author\/revuedmin\/","title":"Note sur l\u2019iconographie du Prologue de Jean - Recherches de Science Religieuse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"cyXOPffhSM\"><a href=\"https:\/\/dev.centtreize.com\/rsr\/article\/note-sur-liconographie-du-prologue-de-jean\/\">Note sur l\u2019iconographie du Prologue de Jean<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/dev.centtreize.com\/rsr\/article\/note-sur-liconographie-du-prologue-de-jean\/embed\/#?secret=cyXOPffhSM\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Note sur l\u2019iconographie du Prologue de Jean\u00a0\u00bb &#8212; Recherches de Science Religieuse\" data-secret=\"cyXOPffhSM\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/dev.centtreize.com\/rsr\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"Le Prologue a engendr\u00e9 une production iconographique importante, qui est la traduction visuelle de la th\u00e9ologie johannique. On en donnne ici une illustration, tir\u00e9e d\u2019un \u00e9vang\u00e9liaire byzantin du xie ou xiie si\u00e8cle (le Paris gr. 64), et on \u00e9tudie quelles ex\u00e9g\u00e8ses picturales elle propose du Verbe qui \u00e9tait&nbsp;\u00ab\u00a0au commencement aupr\u00e8s de Dieu\u00a0\u00bb. Le probl\u00e8me d\u2019interpr\u00e9tation ainsi pos\u00e9 est significatif de la complexit\u00e9 des rapports entre&nbsp;\u00ab\u00a0pens\u00e9e discursive\u00a0\u00bb et&nbsp;\u00ab\u00a0pens\u00e9e figurative\u00a0\u00bb."}